The Top 20 Songs of 2015 So Far – The Conclusion

The final part of my 2015 countdown of the best songs from January until June:

20) Skrillex Feat. Diplo and Justin Bieber – Where are U Now

“Where Are U Now” is without a doubt one of the least likely collaborations ever but just serves to show that anyone is redeemable, even the notoriously annoying Bieber. It’s is definitely one of the most interesting songs released this year and for that we have to give some kudos to the Canadian popstar, even though I suspect it has more to do with Diplo…

19) Olly Murs Feat. Demi Lovato – Up

olly murs demi lovato up

I really don’t know how Olly Murs does it. By all rights he should be washed up by now like so many X Factor contestants who got a bit of success after the show and then realised it wasn’t a lifetime gig (Shayne Ward, Alexandra Burke, JLS, Cher Lloyd….poor things). But somehow he has managed to keep plugging away producing chart topping albums and quality singles. His story has been one of quiet success, rather than the furore surrounding One Direction right now or Leona Lewis when she first came out. And that, my friends, is the secret to longevity. “Up” is the second single from Murs fourth (already??!!!) album Never Been Better and, seeing as the hits keep coming, it does really seem that the only way is up.

18) Madonna – Ghosttown

ghosttown madonna

Another quality Madonna single doomed to fade into obscurity due to the disaster that has been the Rebel Heart era. Madonna’s vocals have never sounded better or more emotive than on “Ghosttown”. It has even drawn comparisons with the legendary vocalist Karen Carpenter. It’s just a shame that it failed to make an impact on the UK or US singles charts. A lot of crap does. The video for “Ghosttown” had the right idea but Madge definitely went a bit too far with the melodrama, rendering it practically unwatchable. Sigh…

17) Wiz Khalifa feat. Charlie Puth – See You Again

wiz khalifa charlie puth see you again

It’s songs like this and Pharrell’s “Happy” that make me wish that radio didn’t exist. Every time I hear this song on the radio now I have to switch it off which is a massive shame because, actually, I remember hearing this song for the first time and liking it a lot. It’s just radio has used and abused this single which has made it impossible for me to place it higher on my list. It’s also a wee bit overrated. It’s a good song but not good enough to be No.1 for weeks and weeks and weeks. “Uptown Funk” was that good. Still, it remains a lovely blend of soulful vocal matched perfectly with gritty rap lyrics. Gotta take the rough with the smooth.

16) Taylor Swift Feat. Kendrick Lamar – Bad Blood

taylor swift kendrick lamar bad blood

Swift’s star-studded video for “Bad Blood” not only proved her celeb pulling power, but also ensured her another smash single off her already classic fifth album 1989. The remixed version featuring Kendrick Lamar improves the original’s production and adds some killer rap sections. The result is a brutal, stadium-ready war cry which features some of Swfit’s best lyrics to date. “Band aids don’t fix bullet holes”. Indeed.

15) Tove Lo – Talking Body

tove lo talking body queen of the clouds

This is just one of those songs that makes you feel all dirty and sexy. Tove had already established as a force to be reckoned with, producing the global smash “Stay High (Habits)” last year and lending vocals to Alesso’s “Heroes”, but “Talking Body” was her make or break single. And boy did it make. It’s reminiscent of Rihanna at her best in that both singers surround themselves with a dark, brooding persona of party girl gone wild. Tove’s ascendance to the clouds has already begun.

14) Echosmith – Cool Kids

cool kids echosmith

Sorry Americans, you may be wondering why this song is included in a best of list from 2015 and not 2014, well it’s because this song hit the UK a bit late I’m afraid. We only just got it at the start of this year but we love it a lot too so I had to include it on this list. For me, the magic of “Cool Kids” special quality lies in the fact that it takes you back to high school (unless you’re still there) where you were insecure and just wishing to be someone else. It taps into those old feelings which is a powerful feat for a little ditty about being cool. The melody is also tremendously catchy with some interesting instrumental choices. Does the lead singer’s voice sound a bit like Katy Perry to anyone else or is it just me? And she looks a bit like Anna Kendrick.

13) Calvin Harris Feat. HAIM – Pray to God

haim calvin harris pray to god

No-one seems to love this song as much as I do so I compromised and put it further down the list than I would have it. Please guys tell me why this was not a worldwide smash? The HAIM sisters are devilishly delicious as satanic enchantresses in the striking video. This is without a doubt one of Harris’ most satisfying drops and the sister’s to-die-for harmonies are reminiscent of Stevie Nicks of Fleetwood Mac fame. What’s not to like? Maybe I’m just partial to a good bit of witchiness.

12) James Bay – Hold Back the River

james bay hold back the river

James Bay has timed his ascendance to pop stardom to perfection. Just as last year’s golden boys Ed Sheeran, Sam Smith and George Ezra were winding up their album campaigns he decided to launch into the pop-o-sphere. Flooding the radio waves “Hold Back the River” is a masterclass in understated, contemplative pop. From the quiet, restrained beginning “River” builds and builds with the drama of a Celine Dion power ballad (but with much more attitude) until it becomes a powerful maelstrom of emotional turmoil. James Bay conveys such emotion with his voice that you cannot help but be moved.

11) Taylor Swift – Style

taylor swift style song

Taylor Swift is just a goddess. She has cemented her place as the top female in music right now with her current album 1989 which is full to the brim with genius hooks and playful lyrics. “Style” is one of the more superior cuts of this already superior album. It may have failed to match the success of the Billboard number ones “Shake It Off”, “Blank Space” and “Bad Blood”, only peaking at No.6 in the US, but it is just as good as any of them. It’s more subtle and less in your face, which means that it takes longer to grow on you but, when it does, it never goes out of your head.

10) Sia – Elastic Heart

elastic heart sia shia le boeuf

I had all but given up on Sia releasing another single from 1000 Forms of Fear. It seemed that she forgotten about the album after the release of “Chandelier”, despite the single’s overwhelming success. But lo and behold the unpredictable, fame-shy Sia dropped a bomb of a video on us early in 2015!

Sia is the whole package, even if she doesn’t know it. She’s got the knack for writing intelligent, sensitive lyrics and to inspire without being cheesy. It’s the vulnerability, combined with the powerful vocal that really . It seems at points that her voice is cracking, but then it soars. She is truly one of the great vocalists of our time and when the production quality matches the quality of her songwriting and voice, she is unstoppable. And Shia LeBeuf…What was that all about?

9) Galantis – Runaway (U & I)

galantis runaway u and I

Galantis are one of those bands that have been hanging around on the periphery for a while on the cusp of stardom, searching for that big breakthrough hit. Well, they sure found that. “Runaway” is bold, brash and in your face. It’s no wonder it’s been making massive waves in the UK, where it has already peaked in the top 5. Released just in time for festival season, this is definitely one you’ll be hearing all summer.

8) Kygo Feat. Parson James – Stole the Show

kygo parson james stole the show

Kygo is fast becoming one of the premier DJs in the world and a lot of the praise should be heaped upon this stellar collab between the Norwegian and singer Parson James. Anything with panpipes is just guaranteed to win me over but when it also has a drop like this and passionate lyrics there is literally no escape. There is something ethereal and even sad about the track. It’s another big hit for the unstoppable Norwegian.

7) Years and Years – King

years and years king

Dance floor ready and box fresh Years and Years are one of the biggest revelations of 2015. Despite achieving chart success with previous single “Desire”, it was “King” which proved to be their big breakthrough, peaking at No.1 in the UK in its debut week and selling over 100,000 copies. The effortless, soaring vocals are definitely enough to capture your attention but it’s the nuanced production that really makes “King” a winner.

6) Jess Glynne – Hold My Hand

hold my hand jess glynne i cry when i laugh

Not satisfied with her two previous number one singles with Route 94 and Clean Bandit, Jess Glynne concocted a formula to invade our brains all by herself this time. Just as Meghan Trainor is all about the bass, Glynne’s “Hold My Hand” is all about the voice which she uses to great effect on the track. Each line of the verses starts goes from low to high which Glynne navigates deftly and with joyous aplomb. This is her vocal tour de force and her muscled voice is the star of the show. Anticipation could not be higher for her debut album coming out in August I Cry When I Laugh.

5) Omi – Cheerleader

omi felix jaehn cheerleader

Here’s a piece of advice for every wannabe popstar out there. If you ever want to have a sure fire hit in 2015 just add a bit of trumpet or sax to your track on a loop and bobs your uncle. You have a hit on your hands. I’ve seen it time and time again with Cheryl’s “Crazy Stupid Love” and Faul’s “Changes” to name but a few! Poised to one of the biggest tunes of the year, the bright and breezy “Cheerleader” is a breath of fresh air and one to be turned up to the max while riding in a drop top down an endless road with your friends.

4) Alesso Feat. Tove Lo – Heroes

tove lo alesso heroes

Alesso’s remake of David Bowie’s now classic “Heroes” may have stripped the original of all its pithy irony, but it more than makes up for it with its uplifting message pushed to infinity by Tove Lo’s soaring vocals. The song emanates a pure and beautifully exuberant naivety together with an youthful innocence. This is one for the festivals and I can see 100,000 “heroes” bouncing up and down in harmony all summer long.

3) Major Lazer Feat. DJ Snake and MO – Lean On

major lazer dj snake mo lean on

This has already been one of the biggest songs of the summer, nay of the year. It has taken over the UK completely and mercilessly, monopolising radio play and peaking at No.2. It is also fast scaling the US charts, nestling nicely into the top 10 already. Why you ask? Well it’s because by fusing reggae and dance music Major Lazer has created a completely unique sound which has struck a chord all around the world and has turned into a formidable epidemic. It was played about 500 times at Ultra Europe festival this year.

2) Ellie Goulding – Love Me Like You Do

 

Ellie Goulding has gone from strength to strength ever since her debut single “Starry Eyed” introduced us to her ethereal, magical voice. Time and time again she has proved herself to be capable of musical greatness, even managing to conquer the American market, which is no mean feat for British artists. Unlike some of her contemporaries, Goulding deftly avoids pandering to the sex crazed teen market who above all else crave flesh shows (Rihanna, Shakira, Tove Lo etc.). Let me just say that there is nothing wrong with this. Everyone loves a bit of Shakira. But it’s just not Ellie’s style that’s all. On the whole, it’s probably a smart move. Goulding clearly has her sights set on career longevity and she is definitely going the right way about it. Her brand of mystical, vulnerable pop falls somewhere manages to appeal to everyone which is exactly what makes her one of the biggest popstars on the planet right now. “Love Me Like You Do” came out of the blue at the beginning of this year and immediately shot to the top of the UK single charts, retaining this positions for a massive 4 weeks and becoming a constant fixture on mainstream radio. Of course, the song’s place in the 50 Shades of Grey film soundtrack did nothing to harm its commercial appeal, but it definitely would have been a big hit either way. Ellie is a force of nature.

1) Kygo Feat. Conrad – Firestone

kygo conrad firestone

I remember there was a time when dance music did nothing for me. Good for a quick sweaty dance but it left me feeling cold afterwards (literally and physically!). The sentiments just weren’t there like in a good emotional pop song (Whitney and Mariah come to mind). But over the past five years dance music has had an injection of life. Somewhere along the line dance music got its soul back and nowhere is this more present than on Kygo’s recent smash “Firestone”. I had liked Kygo for a while before “Firestone”, which is, to all intents and purposes, his debut single, but by far from his first production. He has a chilled out style which stands out amongst the David Guettas and Afrojacks. “Firestone” was the moment when Kygo went from an underground artist to the next biggest thing. There’s something magical about the feather-light piano line and breezy vocals provided by Australian singer Conrad Sewell. Everything is just effortlessly comes together to create a truly inspirational, beautiful song.

Thank you for reading and feel free to leave any comments or suggestions. I love hearing from you!

Diary of a Pop Fan’s Top Twenty

20) Breach Feat. Kelis – The Key

19) Years & Years – Desire

18) Iggy Azalea – Beg For It

17) Olly Murs – Wrapped Up

16) Avicci Feat. Robbie Williams – The Days

15) Jungle – Busy Earnin’

14) The Veronicas – You Ruin Me

13) Ella Henderson – Hard Work

12) Chvrches – Dead Air

11) James Bay – Hold Back the River

10) Meghan Trainor – Lips Are Movin’

9) Kiesza – No Enemiesz

8) Ariana Grande – Santa Tell Me

7) Calvin Harris Feat. Ellie Goulding – Outside

6) McBusted – Air Guitar

5) Taylor Swift – Blank Space

4) Clean Bandit feat. Jess Glynne – Real Love

3) Take That – These Days

2) Lorde – Yellow Flicker Beat

1) Mark Ronson Feat. Bruno Mars – Uptown Funk

The Smokin’ Hot 11 of September

September has been kind to us and here’s 11 of the hottest tracks at the moment:

11) One Direction – Fireproof

One Direction Four
Two pictures for the price of one. Sadly they look just as gormless in both.

Sorry for the rant but One Direction are one of those annoying boy bands whose careers are primarily fuelled by hysterical teenagers who are in love with at least one of the members of the band. I didn’t like them on the X Factor and I like them just as much in real life. Of all the acts which have emerged from the X Factor in 2010 (let alone from all the other series) One Direction are one of my least favourite. However…..despite my frank disdain for all things One Direction I do believe that they have been very well managed. This is one of the times when Simon Cowell has managed to tune into the public psyche very well. The world was missing a soulful boy band à la Take That and One Direction fit the bill perfectly. Songs like “Story of my Life” did actually manage to give the band a shred of credibility and even made hardened haters like me begin to take notice. So for their fourth album, which is imaginatively titled Four, One Direction have decided to pursue the “Story of my Life” avenue further with the first promotional single “Fireproof”. Although essentially it has only been released to whet the public’s appetite before the release of the lead single proper “Steal My Girl”, I’m betting “Fireproof” turns out to be much better quality. For one thing the group’s harmonies on “Fireproof” are the best they have ever been and the chorus is immediately catchy. The whole piece has a chilled out ghostly feel to it It has made me slightly rethink my attitude towards One Direction. Might have a sneaky snoop at the album when it comes out and decide whether 1D are worth bothering with after all.

10) Meghan Trainor – Dear Future Husband

Meghan Trainor Dear Future Husband
This picture gives me a headache

I did want to put this one higher in the list because it is undeniably a stonking jam of epic proportions. However, I’ve been slightly put off because of the backing beat’s creeping similarity to Olly Murs’ UK No.1 single “Dance with Me Tonight”. It’s such a shame because the lyrics are witty and well written, but the similarity is too clear to overlook. If no-one picks up on this one I’ll be very shocked as its much more obvious than, say, the similarity between “Blurred Lines” and “Got to Give It Up” or “Brave” and “Roar”. This is literally the same beat. I’d be willing to give Meghan the benefit of the doubt as she may not have ever heard of Olly Murs, he has only had the one hit with “Troublemaker” in the US after all. Plus she clearly doesn’t need to copy other people as demonstrated by the success of “All About that Bass”. I’ll let you decide whether she should be condemned and cast asunder.

9) Jennifer Lopez Feat. Iggy Azalea – Booty

Jennifer Lopez and Iggy Azalea Booty
If you want a hit Jennifer you’re gonna have to get greasy with Iggy Azalea. Jennifer: “I don’t mind at all”

What do you do when your album takes a massive belly flop and disappears from the charts only a few weeks after release? What do you do when your last couple of singles failed to garner any radio airplay or chart success? You pull out the big guns, that’s what! And we all know what JLO has got some pretty big ones that she ain’t shy about showing off. Oh yes and you ditch Pitbull because, well been there done that three times (“On the Floor”, “Dance Again”, “Live It Up”), and rope in popstar of the minute, the generously proportioned Iggy Azalea, to add some extra jelly for shakin’. As if JLO didn’t already have enough. The thing is that JLO didn’t even want to include “Booty” on her album in the first place. She thought that the title was too crass and was only persuaded to include it by her children after playing it to them in the car. But really she should be very glad she did record it because it’s the only single on the album that is capable of reviving the flagging sales. “Booty” is, of course, lyrically on trend and acts as the successor to Miley Cyrus’ twerking-inspired hits of last year while she is busy preparing another horrifyingly fascinating LP for us all to enjoy. It also follows on from Jason Derulo’s middle-eastern inspired sound, particularly “Talk Dirty”. Basically, should you choose to look beyond the tacky glitz of “Booty”, you will undoubtedly see that it is nothing more than a cold and calculated career move, but with both JLO’s and Azalea’s booties in the way now, who is going to bother looking past when the view is so good.

8) Jessie Ware – Say You Love Me

Jessie Ware Say You Love Me
Cheer the bloody hell up woman

Jessie Ware is one of those artists who might have slipped under your radar if you haven’t been paying close attention to the British music scene over the past couple of years. Her debut album Devotion managed to peak top 5 in 2012 despite failing to yield a top 40 single and was heralded by critics as one of the best releases of the year. Now Jessie is back and has been slowly teasing the release of her latest soon-to-be masterpiece Tough Love throughout 2014. The campaign started with the release of the fantastic lead single “Tough Love” which managed to peak at No.34, becoming Ware’s first top 40 single, and now she has released the video for the ethereal “Say You Love Me”. The sparse styling of the single lets Jessie’s measured song writing breathe like a fine wine and the Ed Sheeran-assisted epic choral line around the 3:15 mark gives me some hope as to the single’s commercial appeal. This could be the breakthrough Jessie’s been looking for.

7) La Roux – Kiss and Not Tell

La Roux Kiss and Not Tell
Times are hard for La Roux

“Kiss and Not Tell” is the second single from La Roux’s already underappreciated sophomore effort Trouble in Paradise and probably the only song on the album which is capable of reviving the album’s flagging sales. “Kiss and Not Tell” boasts a warmer and sunnier disposition in comparison with, say, “Bulletproof” or “In for the Kill”, but manages to retain La Roux’s quirky signature style. In fact, “Kiss and Not Tell” is an indisputable pop gem which is more than capable of standing on its own two feet. The perky 80’s synth line froths and bubbles throughout the track resulting in a peppy, uplifting bounciness which should provide for perfect radio fodder. After all, in a music world dominated by crashing beats, drops and overproduction, La Roux stands out for their uncomplicated hooks. Sometimes the simplest tracks are the best.

6) Chris Brown Feat. Ariana Grande – Don’t Be Gone Too Long

Chris Brown Ariana Grande Don't Be Gone too long
Watch out Ariana he’s behind you!

I did swear that I’d never listen to another Chris Brown song after “the Rihanna incident”, but seeing as pop-starlet of the moment Ariana Grande has a prominent part on this one I can just ignore Brown and gorge on the Grande goodness. “Don’t Be Gone Too Long” grabs you from the very beginning with that throbbing 808 and Grande and Brown’s perfectly blended voices. Hold that thought, bloody hell their voices blend so well. That’s disturbing. It’s as if they were the male and female counterparts of the same person. Erm…tangent alert. Sorry. Anyway, “Don’t Be Gone Too Long” confirms my belief that anything that Grande is on currently is going to be ridiculously good. Plus, the Game of Thrones-inspired video is pretty exciting. “Don’t Be Gone too Long” is a moody, pensive affair which manages to stay the right side of epic without straying into emo territory. Good for them.

5) Mary Lambert – Secrets

Mary Lambert Secrets
Secrets are meant to stay secret Mary

Best known as the female singer in hip-hop duo Macklemore and Ryan Lewis’ same-sex marriage themed hit single “Same Love”, Mary Lambert is now on the verge of releasing her first major label album Heart on My Sleeve. On lead single “Secrets”, you can’t fail to notice Lambert’s barely-concealed glee in revealing all her deepest darkest secrets in her Lily Allen-esque sing-song voice. This refreshingly candid attitude is reminiscent of Meghan Trainor’s recent booty-themed “All About that Bass” which could be a good move for Lambert as it seems like self-acceptance tracks of this ilk are the order of the day for late 2014. I don’t know what’s so wrong about using an analogue clock though. Still the cheerful trumpeting and good dose of comic relief will surely help this become a breakthrough smash for Lambert. Diary of a Pop Fan likes a popstar with humility and as long as her tracks stay this smart and catchy, Lambert could become a permanent fixture in pop, especially with a video that features her dressed as a Nordic opera singer reaching notes that only bats can appreciate.

4) Nicole Scherzinger – On the Rocks

Nicole Scherzinger On the Rocks
A very lady-like pose

First things first, the title of Nicole’s new album has been announced as being Big Fat Lie, which is possibly one of the most ridiculous album titles I’ve ever heard and suggests that man-celebrating lead single “Your Love” was pretty misleading as to the lyrical direction of the album. Sounds like it’s a bit more heartbreak-centric than “Your Love” would have us believe. And, if second single “On the Rocks” is anything to go by, our Scherzy has been having a pretty rough time of it. “On the Rocks” is a mid-tempo ballad with a prominent, thumping drum line which lyrically relies on the repeated use of the line “serving a break-up on the rocks”. Now correct me if I’m wrong but is our Scherzy trying to make a pun here? A relationship can be “on the rocks”, meaning going through a rough patch, and a drink can also be “on the rocks”, meaning with ice. Oh Scherzy you’re such a wit! Joking aside, “On the Rocks” is a solid piece of R&B pop which will hopefully give Nicole’s career some badly needed street cred. I’m slightly doubtful of its ability to light up the charts though as I don’t think it’s showy or annoying enough, which is a very good thing in terms of quality but not so good in terms of chart position.

3) Mary J. Blige Feat. Disclosure – Right Now

Mary J Blige Disclosure Right Now
Doesn’t she have people to walk for her?

This much is clear. Someone obviously sat up and took notice of Mary J’s collaboration with Disclosure on the exhilarating club smash “F for You”. And thank god they did! That’s why Mary has decided to collaborate with Disclosure again to produce the lead single from her upcoming 13th studio album The London Sessions. However, “Right Now” isn’t the “F for You” rehash that it could have been. For one thing it’s heavier on the lyrics (Mary certainly had something to do with that) and there’s much more personality, something which can easily get diluted amidst the overpowering Disclosure-y synths and effectively convert the singer into a robot. Luckily, if anyone has enough personality to withstand such an onslaught, it’s Mary J. “Right Now” is the most exciting lead single she has released since “Family Affair” and proves that Blige is still as relevant today as she was in 1992 which makes us very excited for The London Sessions.

2) Charli XCX – Break the Rules

Charli XCX Break the Rules
Charli’s mission is to bring duck lips back into fashion

Having already had a hand in two of the biggest hits of the year “Fancy” and “Boom Clap”, as well as on Icona Pop’s smash hit “I Love It”, anything Charli XCX releases now is sure to be a massive hit. Luckily, “Break the Rules” is pretty awesome so I can definitely make my peace with hearing this on repeat for the whole winter. I think “Break the Rules is much more representative of who Charli XCX is than “Boom Clap” as well. She has a very British rough-around-the-edges attitude going on which has obviously translated well into record sales across the pond as well as on her home turf. “Break the Rules” is also infinitely more fun than “Boom Clap” and plays on the classic bad girl rebel at school persona which has become almost a stock character in pop culture. This has all the hallmarks of a huge global smash and that sick, throbbing backing beat would make even a nun feel like grinding up and down on a pole. Fact!

1) Ella Henderson – Glow

Ella Henderson Glow
All good popstars should be possessed by the devil

The past couple of months have seen X Factor finalist Ella Henderson transcended her roots and become a bonafide popstar in her own right which is all down to her dedication, songwriting skills and admirable pipes. Now, as she is looking to solidify her position as the new Leona Lewis, she sneaks into epic ballad territory with latest single “Glow” which will almost certainly keep her from descending into one-hit-wonder territory. This one is more of a grower than “Ghost” and features a weird sighing sound playing during the verses which is slightly reminiscent of a pedophile deep breathing at the other end of the phone. Despite all that however, it works. And very well at that. After a few listens the crashing, bombastic chorus will get lodged in your cranium. In fact, you can even see her performing it in a long flowing dress with moody, spectral lighting (in reference to the name “Glow”) on the X Factor in a few weeks. It’s also kind of Halloween-y in so far as it’s got a spooky vibe going on. Basically, it’s a great song and its release has been time to perfection. All hail the new X Factor queen (sorry Cheryl).

And, seeing as it’s No.1 on Diary of a Pop Fan’s list, here’s a bonus acoustic version:

Brit Awards 2014

download

It’s that time of year again! Time to look back on the best of the best in the world of pop last year and hand out rewards for good behaviour. Brit Awards nominees were announced yesterday with One Direction leading with 4 nominations (why god why), followed by Bastille and Ellie Goulding with 3. Let’s have a look at the categories:

British Male Solo Artist

David Bowie

Jake Bugg

James Blake

John Newman

Tom Odell

No-one really stands out here. Of course, Bowie’s return at the beginning of last years was a big shock for many and his album opened to both rave reviews and critical acclaim. However, I would bet on John Newman cleaning up here as he’s the most commercial of the five and his single Love Me Again really did kick some serious ass.

British Female Solo Artist

Birdy

Ellie Goulding

Jessie J

Laura Marling

Laura Mvula

Although I do have a special place in my heart for Birdy I have to say that Ellie Goulding really deserves this one. She’s been a chart mainstay throughout the year and has released three exceptional singles Explosions, Burn and How Long Will I Love You? Case and point. Ellie FTW.

British Group

Arctic Monkeys

Bastille

Disclosure

One Direction

Rudimental

I don’t know if I want to live in a world where One Direction wins over Bastille. For the sake of my sanity, please.

British Breakthrough Act

London Grammar

Bastille

Disclosure

Laura Mvula

Tom Odell

Bastille again are probably the most deserving of this award but I’d like to see London Grammar take this one as their album If You Wait was filled with amazing melodies and is undoubtedly one of the best debuts of the year.

British Single of the Year

Bastille – Pompeii

Calvin Harris and Ellie Goulding – I need your love

Disclosure – White Noise

Ellie Goulding – Burn

John Newman – Love me again

Naughty Boy – La, La, La

Olly Murs – Dear Darlin’

One Direction – One Way or Another

Passenger – Let Her Go

Rudimental – Waiting All Night

This is always the hardest category to decide and honestly I would be happy with either Burn, Love Me Again, La La La, Let Her Go or Pompeii winning but it should be Let Her Go if we’re really taking this seriously.

MasterCard British Album of the Year

Arctic Monkeys – AM

Bastille – Bad Blood

David Bowie – The Next Day

Disclosure – Settle

Rudimental – Home

All good albums. Would be happy with any of them winning but I do have a soft spot for Bastille.

International Male Solo Artist

Bruno Mars

Drake

Eminem

John Grant

Justin Timberlake

JT without a doubt. It’s as simple as that. From the very start of the year he’s been an all dominating force in the world of pop and his 20/20 Experience album is head and shoulders above the rest. I haven’t even heard of John Grant (I’m sure he’s lovely).

International Female Solo Artist

Janelle Monae

Katy Perry

Lady Gaga

Lorde

Pink

A very open category this year. Both P!nk and Katy Perry have had great singles this year (who could forget Just Give Me A Reason and Roar) but Lorde was the surprise of the year, springing out of nowhere with her dour, minimalistic style. Still I do love a bit of GaGa and seeing as everyone seems to hate her now I’d like her to take this one.

International Group

Arcade Fire

Daft Punk

Haim

Kings of Leon

Macklemore and Ryan Lewis

Daft Punk or HAIM. Probably HAIM because I thought Daft Punk’s album was god awful apart from Get Lucky and Lose Yourself to Dance.

So we’ll just have to keep our fingers crossed that our favourites come out on top. The ceremony is scheduled to be held on the 19th of February.

If you disagree with any of my predictions or want to express your own, please feel free to comment below.